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This mid-19th century map of Southeast Asia is illustrated with drawings of indigenous people from New Guinea, a ‘bee bear’ (probably a sun bear), a sailboat in front of Victoria Mount in New Guinea, and a village and palm trees in Sarawak, Borneo.

An early 19th century map of Asia by the English cartographer John Cary (c.1754–1835) with colour-coded regions.

This late 18th century map of Asia uses colour to differentiate various regions, with mainland Southeast Asia in blue, and maritime Southeast Asia in yellow, red, green and blue.

Hand-drawn coloured borders have been added to this map to distinguish various regions: mainland Southeast Asia and most of the islands of maritime Southeast Asia are bordered in green, with Borneo and the Philippines in red.

Coloured borders divide this late 18th century map of Asia into empires, kingdoms and regions. Five major rivers that flow south through mainland Southeast Asia are named: Aua, Pegu, Tenasserim, Menan and Camboya.

The 20 colourful illustrations around the border of this 18th century map of Asia depict a variety of historical and biblical scenes, including the Crucifixion of Jesus and the sacking of Troy. Each scene has a description in French and Spanish.

This mid-18th century map of Southeast Asia includes written notes on goods produced and traded, geographical features, and wild animals found in each part of the region.

A simple mid-18th century map featuring Borneo, Java, Celebes (Sulawasi) and many other smaller islands as far as New Guinea to the east, and Timor to the south. The only details are the names of the islands and some larger settlements.

The letters ‘E’ or ‘D’ are marked after place names to indicate if they are English or Dutch colonial possessions: e.g. ‘Marleborough Fort E’ on Sumatra or ‘Concordia Fort D’ on Timor. The Philippines are labelled ‘to Spain’.

This map is dedicated to William Cowper, whose coat of arms sits atop the cartouche. It features two horses holding a crest with three red martlets (mythical birds used in heraldry). The colourful cartouche also features Asian traders.

This early 18th century map of Asia features a drawing of a woman burning offerings on an altar, while two children carry cornucopias, and a camel looks on. The Roman god Mercury descends from the sky in the background wearing his winged helmet.

This early 18th century map of Asia features a drawing of a woman burning offerings on an altar, while two children carry cornucopias, and a camel looks on. The Roman god Mercury descends from the sky in the background wearing his winged helmet.